Ritual Music and Dance · Daoist Ritual Music · SE10073
Pacing the Void
A hymn for walking the void
At dusk before a Daoist temple hall wreathed in incense, a priest in a red ritual robe holds a tablet at the altar. Musicians in blue robes kneel on either side playing gongs, drums and flutes while onlookers stand quietly.
Introduction
Pacing the Void stanzas go back to the fourth century and still open Daoist rituals across China
Pacing the Void is the Daoist ritual chant of the buxu stanzas, sung to melodies known as buxu tunes. According to Kristofer Schipper, the stanzas date back to the fourth century and were soon taken into the liturgy of the Lingbao school; in the fifth century Lu Xiujing described reciting them during the Lingbao retreat while practising visualisation. Orthodox Daoist music is led by the Lingbao tradition, whose retreat rites were created in the Ge family and developed by Lu Xiujing into a full system of liturgy and music. Guo Maoqian's Song-dynasty anthology Yuefu Shiji still preserves dozens of buxu poems from before the Song. Today these hymns open the rituals of temple clerics and household Daoists across China, and they also appear in the daily services of the Quanzhen school. Melodies vary from place to place, and the ritual music of Mount Qiyun counts a buxu tune among its main pieces.