Kunqu Opera
5 worksChuanqi plays and scenes sung in the refined water-mill style, with elegant lyrics and exquisite movement.
Stage · ST108
Signature plays and scenes of regional opera, where every role type sings of joy, parting and reunion.
52works
21entries
In a lamp-lit late Qing theatre dressing room, an actor at a mirror paints half his face red and black, the other half still bare; embroidered robes, beards and headdresses fill long tables, and musicians sit on the stage beyond the curtain.
Regional operas such as Kunqu, Peking, Sichuan and Cantonese opera, telling stories through singing, speech, acting and combat.
Chuanqi plays and scenes sung in the refined water-mill style, with elegant lyrics and exquisite movement.
A vast repertoire of emperors, generals, scholars and beauties, sung in the xipi and erhuang modes.
Plays and arias sung in Cantonese bangzi and erhuang, the southern opera of the old red boats.
Romances of scholars and maidens are its forte, sung with gentle, heartfelt tenderness.
Bangzi-sung tales of the Central Plains, rich in heroines and upright magistrates.
Plainspoken plays of family and marriage, telling the joys and sorrows of ordinary households.
Soaring bangzi plays of the northwest, often of loyal martyrs, battles and court cases.
Plays mixing five vocal styles, laced with stunts such as face-changing and fire-breathing.
Old pihuang plays of Hubei, with every role type and a plain, archaic style of singing and acting.
Hunan plays in high-pitched and plucked-string styles, from history plays to serial dramas.
Plays handed down from early southern drama, with delicate stage steps and lilting songs.
Plays that keep the manners of Song–Yuan southern drama, archaic in movement and plain in song.
Jiangxi plays in high-pitched and plucked-string styles, keeping the drum-backed chorus of Yiyang singing.
Plays sung in Teochew, especially admired for their clown roles and maiden scenes.
Shanxi bangzi plays with flowing, lyrical singing, the grand opera of the old merchant heartland.
Plays sung in Minnan to seven-syllable and weeping tunes, homely as the speech of home.
Shanghainese plays in modern dress about family life, carrying the everyday air of the city's lanes.
Shandong country plays to the zhuiqin fiddle, sung about everyday family matters.
Through-composed operas blending folk song and opera melodies, drawn from legends and modern life.