MUZI · STAGE · The Art of the Guqin
Three Variations on the Plum Blossom
Plum blossom in three harmonic refrains
Amid misty blue-green mountains, a scholar sits beneath pines at a thatched pavilion, plucking a guqin laid on a low table. Incense smoke rises from a burner, an attendant stands nearby, and a stream tumbles into a waterfall below.
Introduction
Its harmonic theme is played three times, in the upper, middle and lower registers, hence the name
Three Variations on the Plum Blossom is a guqin piece that also exists in a version for the bamboo flute. According to the Shenqi Mipu, Wang Huizhi of the Eastern Jin once asked Huan Yi to play for him on the flute, and that flute tune was later adapted for the qin; the original flute score is lost. The earliest surviving qin tablature is in the Shenqi Mipu of 1425, while the Boya Xinfa of 1609 credits the piece to Yan Shigu of the Tang. It has ten titled sections, and its theme is played in harmonics three times, in the upper, middle and lower registers of the instrument, which gives it its name. In the twentieth century it was recorded for qin and xiao, and Lu Chunling arranged it as a dizi solo.
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