Using the Four Treasures of the Study as its tools and valuing the interplay of paper and ink and structured brushwork, it expresses the inner world of the literati in shades of ink. Ink landscape took shape in the High Tang, and Yuan literati painters established the tradition of ink on paper.

Tang dynasty to present
750 · OriginIn the High Tang, Wang Wei and others painted landscapes in graded ink washes, and ink painting began to take shape as an independent mode.847 · EvolutionZhang Yanyuan's Record of Famous Painters advised collectors to keep a hundred sheets of Xuan paper, the first mention of Xuan paper in painting literature.1350 · ImpactYuan literati painters such as Huang Gongwang and Ni Zan expressed their inner world in ink on paper, establishing the literati tradition of paper and ink enhancing each other.
Sources (2)
  1. 宣纸 最早记载 (中国非物质文化遗产网)
  2. 宣纸始于唐代 (人民日报)

Calligraphy and painting use the brush, ink, paper and inkstone as tools, value the interplay of paper and ink and structured brushwork, and express the inner world of the literati in shades of ink.

In the High Tang, Wang Wei and others painted landscapes in washes of ink, and ink painting began to take shape as a method in its own right.

In his Record of Famous Painters of All Dynasties, Zhang Yanyuan said that "a collector should keep a hundred sheets of Xuan paper", the first mention of Xuan paper in the literature on calligraphy and painting.

In the Yuan, literati painters such as Huang Gongwang and Ni Zan expressed their feelings in ink on paper and established the literati painting tradition of the interplay of paper and ink.

Ink Painting and Xuan Paper is the class in the chapter on Crafts on Chinese calligraphy and painting, which uses brush, ink, paper and inkstone as its tools, values the interplay of paper and ink and structured brushwork, and expresses the inner world of the literati in shades of ink.